Search

Keywords

Content Type



This project was made possible by funding through the Canadian Culture Online Strategy and the Heritage Policy Branch of the Department of Canadian Heritage.

Canadian Heritage

Barney Kessel

Barney Kessel discusses his approach to leisure time.

Listen Now Add to Play List Read Transcript (File Size: 1.09MB)

Barney Kessel discusses his progression as a musician.

Listen Now Add to Play List Read Transcript (File Size: 0.36MB)

Barney Kessel discusses racial awareness and working with a black band in the '30s.

Listen Now Add to Play List Read Transcript (File Size: 0.28MB)



If you are experiencing problems playing audio on this site,
please update to the latest version of Flash.

Transcription

Q: “How did you work into a black band? Boy, in the thirties that must have been not a problem for yourself or the musicians but socially…”

A: “There was no problem. And we played mostly for black dances. But it really wasn't any problem and I learned to play that way. I learned to play and they had all played with Charlie Christian. They all knew him because he was born a 150 miles away and they kept telling me as I was playing, you know, they're always ... they invited me to play solos all the time. I didn't know anything about solos, but they invited me, "Take one, take a solo." And I would try to tremble, oh, like a mandolin or play it in some awful way and you know, and they would say, "Play it like a horn." I didn't know what they meant. They said, "Play it like a horn. Play ideas. Play like a horn player." I didn't know what they meant, and then I finally heard Charlie Christian and I knew what they meant.”